On Peekr: Savvopoulos Long Play (2026)
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Frequently asked questions
- What is Savvopoulos Long Play about?
- This special six-episode tribute focuses on the discography of Dionysis Savvopoulos, presenting ten of his emblematic albums - a turning point in Greek music. Six total "eras" of musical creation and history. In this documentary, which was to be the last legacy of Dionysis Savvopoulos, he himself tells stories that marked his life and the lives of everyone, from 1965, when he released his first album, to the present day, while for the last time he sings, with his guitar and unique voice, songs that we loved from his discography. In his unique way - the one that sweetly mixes myth with reality - he talks about the "lives" he lived, the people he met, his songs that were loved and left their indelible mark over time. The visual part, is by Alexis Kyritsopoulos, a companion and friend of Savvopoulos from the beginning, with works that he designed especially for this particular tribute, which also come to life through animation.
- When was Savvopoulos Long Play released?
- 2026-01-04
Overview
This special six-episode tribute focuses on the discography of Dionysis Savvopoulos, presenting ten of his emblematic albums - a turning point in Greek music. Six total "eras" of musical creation and history. In this documentary, which was to be the last legacy of Dionysis Savvopoulos, he himself tells stories that marked his life and the lives of everyone, from 1965, when he released his first album, to the present day, while for the last time he sings, with his guitar and unique voice, songs that we loved from his discography. In his unique way - the one that sweetly mixes myth with reality - he talks about the "lives" he lived, the people he met, his songs that were loved and left their indelible mark over time. The visual part, is by Alexis Kyritsopoulos, a companion and friend of Savvopoulos from the beginning, with works that he designed especially for this particular tribute, which also come to life through animation.
